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For those interested in recording electric guitars, the new Input Bus channels will be particular useful, allowing users to take full advantage of the Native Instruments Guitar Combos that are part of the bundled extras. The Twang Combo is one of three supplied with the NI Guitar Combos bundle.
Garritan's ARIA for Acid Pro is also supplied. Submersible Music's KitCore add some very useful drum sounds. The Analog Delay is a highlight of the iZotope Acid Pro Effects Rack. These provide three very decent amp models — AC Box, Plexi and Twang — and each is supplied with a good number of presets.
The clean and crunchy sounds are all very useable, although I did find myself taking a little top‑end off some of the high‑gain presets to reduce some of the fizz.A special version of Garritan's ARIA sample player is also included. This VSTi includes a range of orchestral, jazz/big band, marching band and GM‑type sounds, all subsets of samples taken from Garritan's other products. The player itself is simple but offers some nice features and, although there are not huge numbers of instruments provided, what is here is very good indeed. This includes some nice key‑switched string samples (full strings and sections) and very useable Steinway jazz piano, vintage electric piano and upright bass.The third element of the bundle is the KitCore drum sample VSTi from Submersible Music. This is a cut‑down version of their flagship DrumCore package and it includes a range of different drum kits and MIDI loops taken from the various DrumCore libraries.
While it perhaps serves as a taster for the full product, as with ARIA, the basic set of drum and percussion sounds supplied are good.The final freebie is the Acid Pro Effects Rack from iZotope. This includes a flanger, phaser, 'analogue' delay and dynamics processor, all of which will be familiar to anyone who has used any of iZotope's full products such as Ozone. I particularly liked the delay, which is both well specified (it offers, tube, tape and 'bucket brigade' models), easy to use and sounds great. All contents copyright © SOS Publications Group and/or its licensors, 1985-2019. All rights reserved.The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers.Web site designed & maintained by PB Associates & SOS.
You may be using other audio applications such as Live or Reason. But what if you want to somehow integrate or sync your other audio software with Studio One. This can be done via ReWire. ReWire is a protocol that was developed by Propellerhead to allow you to integrate Reason with your other DAW applications, but the protocol has become such a standard household name that it has been taken up by many other software audio developers so that you can sync more than one audio application to the other. In this article, let’s take a look at how to ReWire Studio One to other audio applications.
Studio One will be the master ReWire device and I’ll be using Ableton Live as my ReWire slave device, but the same steps can be taken if you’re going to be using another piece of audio software with Studio One. Step 1 - How to Set Up the ReWire ApplicationsThe benefits of syncing two audio applications together is that their tempos will be synced, and when you start playback in one audio application it will trigger the playback in the other. First you need to get to grips with the ReWire terminology. One application will be the ReWire host (in this case it’ll be Studio One), and the other will run as the ReWire slave (Live). Another important thing is the order preference that the applications are opened.
Launch Studio One first as this is the ReWire host. Once Studio One has launched, create a new song. Ableton Live is running in ReWire Mode. Step 2 - Check that the Applications are SyncedIf you set loop brackets in one application it’ll reflect in the other, and if you start playback in, let's say Studio One, Live will start playing as well. Test this out. Change the BPM in one and see how it changes the BPM in the other application. So now you definitely know that they’re synced.
This means you can run your Live or Reason project side by side with Studio One. If you open the Mixer in Studio One, you’ll see a channel strip representing the stereo out of your ReWire slave device. You can add extra processing to this channel strip. The stereo output of the ReWire slave application appears in the Mixer. Step 3 - Using Multiple Outs with the BussesThe above example allows you to hear the master output of your ReWire slave device in Studio One. But what if you want to be able to hear each individual ReWire track in Studio One, so that you can mix them differently?
That’s where Studio One’s ReWire busses come in handy.First you need to configure the ReWire slave device to send its individual tracks to different outputs. I’m working with Live, so I’ll demonstrate how this is done, but the same principles apply if you’re using another ReWire slave. Instead of sending each track to the master output, send it to another ReWire output. In Live you set the Audio to: ReWire Out and then select a ReWire bus under this box. See how I have chosen different busses for each track.
Rename the ReWire tracks and you can start mixing! Step 4 - Using ReWire Instruments in Studio OneWhat if you want to be able to use the instruments in your ReWire slave device in Studio One? Let’s take a look at how this is set up. In Studio One, create an Instrument track ( Track Add Track, and under Type select Instrument). Name the track the name of the instrument you’re going to be using. Now on Output, select Existing Instrument and on the box under this select the ReWire slave application you’re using, and then expand this folder to choose the instrument you want to assign it to.
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Choosing a ReWire instrument.Now play on your MIDI keyboard and you’ll hear how you’re triggering your ReWire slave instrument through Studio One.This way you can record your MIDI in Studio One, but it will be using your ReWire slave instruments. If you press record you’ll see how the MIDI note data is recorded onto this Studio One instrument track. How neat is that? This allows you to contain your MIDI information in your project so that you can edit and process the instrument within Studio One.When you’re finished with all your ReWire composing, make sure to quit your ReWire slave device first, and then Studio One.
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If you try quitting Studio One first an error message will come up letting you know that you need to quit the other application first. ConclusionThat’s how to take advantage of Studio One’s ReWire capabilities so that you can sync it with other ReWire-enabled audio applications. It works seamlessly and lets you edit and process your ReWire audio and instruments even further if you wish. So if you’re using application like Reason or Live, ReWire them to Studio One and take your productions to another level.For more Studio One tips and techniques check out the following tutorials.