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Established rap careers can die suddenly nowadays, and not too long ago it looked as if Big Sean’s might wilt away early, if not exactly tragically. Though Sean's existence as a rapper was more acknowledged than appreciated, it was undeniable that he had a way of, and sometimes creating them, too. But his second album Hall of Fame, released in the summer of 2013, floundered: After scoring a run of Top 40 hits off both his debut album and various G.O.O.D. Music releases (like, which was fleshed out from his demo), Sean spent much of the last year and a half watching after expire upon arrival., the showcase that rattled every rapper in New York, was the album’s biggest story for somehow not making the cut.Hall of Fame was not just a problem commercially, but artistically as well. Over the course of his career, Sean has honed his on-mic personality into a charming sort of gleeful obnoxiousness.

He is good at being dumb, even if sometimes he is too dumb. His 'ass' riff that opens G.O.O.D. Music’s 'Mercy'—'ass-quake,' 'ass-state,' 'ass-tray'—are his most quintessential lyrics: funny and stupid in not-quite equal measures, but memorable in their shameless goofiness. He is the class clown of rap, entertaining or annoying seemingly at random, but just witty enough that he’s enjoyable to have around.Too little of that persona was present, though, on his weirdly dour and entirely too serious second album.

Where Sean’s debut was blandly listenable but anonymous—with its big hits driven by guests, and — Hall of Fame felt like an overcorrection meant to position him as a rapper’s rapper, the kind of guy who you tune into to focus on lyrics. Big Sean has an appeal, but that is not it.Dark Sky Paradise, his newest, does not wholly shed his aspirations for a certain level of legitimacy, as the nonsensical but very official-sounding title would implicate. But it is by many lengths his best album, and the first one that gets closest to hitting an elusive sweet spot where his music works as mindless fun while still leaving you just enough to chew on. The best example of this is 'I Don’t Fuck With You', the song that kick-started the album and perhaps saved Sean’s career as we know it. Put online in September along with three other tracks, the song is an obvious banger with an instantly catchy hook and some truly great lines—'I just bought a crib, three stories, that bitch a trilogy'—that also leverages his broken engagement with 'Glee'’s Naya Rivera in a way that feels authentically inspired.

That song is where everything clicks for Big Sean, and the confidence he seems to derive from fully harnessing his powers seeps from its pores.Not all of Dark Sky Paradise is as successful, but when it’s at its best it feels like it came from the same place: a guy rapping more ferociously than he ever has because he knows that he’s better than he ever was. It’s that quantifiable oomph in Sean’s rapping that makes Dark Sky Paradise feel immediately more substantial than anything he’s released.